Drawing kind of writing Alfonso Perez Lopez 2016
“Κind of writing” that traverse the aesthetic stereotype. “Converts the surface in an allusive field of writing -allusion, a rhetorical figure, consists in saying one thing with the intention of making another understood-“
Drawing kind of writing Alfonso Perez Lopez 2016
[He -Twombly-] “produces all the rest (the “surplus”) without necessarily seeking to produce anything. The artist (let us retain this somewhat kitsch term) is by status an “operator” of gestures: he seeks to produce an effect and at the same time seeks no such thing; he seeks to produce an effect and at the same time seeks no such thing; the effects he produces he has not obligatorily sought out; they are reversed, inadvertent effects which turn back upon him and thereupon provoke certain modifications, deviations, mitigations of the line, of the stroke. […]the artist´s gesture- or the artist as gesture”
Drawing started from writing Alfonso Perez Lopez 2016
“The work looks as if it had been drawing by his left hand”, “to the cicly of the excluded, the marginal-where he finds himself, of course, with the children, the disabled: the “gauche” (or the “lefty”) is a kind of blind man: he doesn´t quite see the direction, the bearing of his gestures; only his hand guides him, or that hand´s desire, not its instrumental aptitude; the eye serves to control, to coordinate, to imitate; as an exclusive art of seeing, all our past painting has been subject to a repressive rationality. […] to my taste, by TW´s, unclassifiable because it unites, by an inimitable stroke, both inscription and erasure, childhood and culture, drift and invention”.
Roland Barthes, Cy Twombly: Works on Paper in The responsibility of forms, critical essays on music, art and representation. Trans. Richard Horward. (Canada: Collins, 1985), 160.
Drawing kind of writing Alfonso Perez Lopez 2015
Cy Twombly _petals_of_fire1
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